
Wer ist eigentlich RĆ«ta Briede? Und was mag/macht sie fĂŒr KinderbĂŒcher? Drei Fragen an die KĂŒnstlerin aus Lettland.
– How did you start to illustrate books for children (and young people)?
It all started when I began to work as stage designer at theatre. It was very hard for me to accept that almost nothing was happening as I planned to: Because so many people is involved in a playâs creation – director, actors, technical people, administration etc. And all share their opinion not only loudly, but also in the way they are realizing your ideas and concepts on stage. It all was so out of control for me that when I saw an âOpen Callâ for Latvian KuĆĄ! comics magazine, I couldn’t resist to participate, because it would be only me carry out my ideas on paper. However now I am back to theatre and it doesn’t seem so bad for me anymore. Maybe sometimes it still does. Then I draw.
– Which of your books should everybody be familiar with (and why)?
Well, I hope that this or next year at publishing house Liels un mazs will be publishing my book „The Queen of Seagulls“ and the reason why everybody should read it would be very simple – it will be my first picture book, drawn and written by me.
– Which theme or motif would you love to work on in a childrenâs book some day?
At this point of my creative life I believe that personal experience is something that should be shared with children. Just for them to know, that grownups had gone through every stage of early life, too; the same phases, which children are going through right now.
But if I must be more precise – I think it would be interesting to use „problems“ as a motif: How that huge amount of differently created grownup life „problems“ looks like from a point of a child. Does they really looks like a real „problems“ for them? Where „problems“ comes from? Maybe they look like huge backpacks daily carried by grownups? Or like a dark cloud right up to one head raining occasionally a „problem rain“? Can we scare all problems away? And if it really would be a book it has to have a very unproblematic, positive ending.
Aber wenn ich genauer sein mĂŒsste, dann denke ich, dass es interessant wĂ€re, âProblemeâ als Motiv zu wĂ€hlen: Wie wĂŒrde die riesige Menge von Erwachsenen-Problemen unterschiedlicher Herkunft wohl aus Sicht eines Kindes wirken? Wirken sie wirklich wie echte âProblemeâ auf sie? Wo kommen âProblemeâ her? Vielleicht wirken sie wie ein riesiger Rucksack, den Erwachsene tĂ€glich mit sich herumtragen? Oder wie eine dunkle Wolke genau ĂŒber dem eigenen Kopf, die gelegentlich einen âProblem-Regenâ herausregnet? Können wir alle Probleme verscheuchen? Und wenn das wirklich ein Buch werden wĂŒrde, mĂŒsste es sehr unproblematisch und positiv ausgehen.